Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Suleyman Saba makes tableware and individual stoneware pots. The forms he makes and the glazes he uses bring together traditional techniques with modern sensibilities.
Taja came over to UK from his native country Japan to study oil painting and settled in Devon over 40 years ago. He was inspired by so many potters in the south west, so he started making pots using his friend’s pottery workshop. He is largely self-taught. He found that slab and coil built pottery suits him the most. He started experimenting with porcelain clay about 20 years ago after being inspired by enormous blue porcelain wall tiles at a new Japanese airport especially the water-like quality of the blue glaze.
Emily mostly works with a red stoneware clay that fires to a rich dark brown, with iron speckles showing through the glaze. She occasionally works with porcelain as the white body is ground for wonderful bright glazes. Most of the glazes contain barium and copper, a combination which give rise to interesting matt green glazes in an electric kiln.
Marcus produces expressive functional stoneware and porcelain rooted in the Leach Hamada tradition. He is also greatly inspired by the Irish landscape.
Wendy discovered clay on an art foundation course. She went on to study at the University of Central Lancashire in 1998, gaining a BA in 3D Design (Ceramics). Since her graduation, she has continued to teach ceramics and run workshops for schools, colleges and community groups. She has participated in symposiums and workshops in Britain, Europe and America.
Alasdair Neil's ideas focus on the strange beauty found in the decaying architecture of industrial wastelands. He has built up a large collection of clay and plaster moulds that he has made from the surfaces of found fragments of discarded waste. It is these textures, patterns, shapes and colours that form the thread that runs throughout his entire range of unique hand built forms
