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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Justine Allison

Since leaving Camberwell College of Art in 1988, Justine has been primarily working with hand-built porcelain. Her work addresses the boundaries between function and decoration. Form is paramount to her, function is a driving motivation, but it is the aesthetics of a piece that are key to her making.

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Ant and Di Edmonds

Ant first encountered pottery in primary school. His teacher, Mr Wright introduced him to clay and planted the beginnings of a lifelong passion. He started out as a science teacher but gave up teaching in his late twenties after years of evening classes and moved to Lincolnshire to set up his own pottery workshop.

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Juliet Macleod

Juliet Macleod makes wheel-thrown porcelain that imparts an evocative exploration of the Scottish coast. Using a distillation of drawings and photographs made over many years, she creates contemplative pieces which hope to engage the viewer and spark their own memories.

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Sotis Filippides

While still at school Sotis displayed a talent for art and developed a keen interest in three-dimensional art in particular. He later enrolled in a four-year degree course at the Athens School of Ceramics. After his degree he came to the UK

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Jemma Gowland

Jemma’s work explores the way that girls are generally constrained from birth to conform to an appearance and code of behaviour, to present a perfect face and maintain the expectations of others. The use of porcelain or stoneware with layered disrupted surfaces, describe the vulnerability beneath.  

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Bruce Chivers

“Chivers is an artist potter whose work shines with a flowing lyricism in which decoration is intrinsically linked to form but is equally linked to natural random processes of image formation of the kind favoured by the American Abstract Expressionists and the European ‘matter’ painters.” Peter Davies.

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