Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Matt Horne began his career in ceramics with training at Aylesford Pottery in Kent, where he developed his technical skills in production throwing, before going on to set up his own workshop near Folkestone in 2008.
With her figures Sally creates personalities that share a sense of warmth and calm. Drawing from early memories of family gatherings spilling across summer lawns; the quiet intimacy of a confidence shared between sisters; expressions of visual anecdotes carefully collected and stored to later emerge as a figure. The everyday moments of human interaction being elevated from the ordinary into something special.
Adam uses a single pure jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place.
Mark makes black and white domestic slipware using a combination of traditional craft and modern industrial ceramic techniques, in a contemporary take on Staffordshire slipware. Currently, he is developing his tableware and large functional work into sculptural one-off pieces.
These include slab built, stacked designs for sculptures which depend on gravity to interlock. He is also experimenting with platinum lustre transfers to exploit the differing reflective qualities of glazed and lustred surfaces.
After completing an MA in Ceramics from the RCA in 1988, Paul moved to Italy and worked for Gucci on their home and perfume products, then into the world of leather goods and accessories. That seemed a natural progression from clay with his love of form, sculpture and respect for craftsmanship. This led to a 30-year career in Fashion accessories, moving to New York in the early 90s, becoming design director for Calvin Klein, Cole Haan, and COACH amongst others.
As a child, Emmanuel grew up surrounded by the traditions and perfumes of Sardinia, a land rich in marine life. Her work is influenced by her native culture with its music and folk-costumes of luxuriant materials adorned with precious jewels. She was captivated by the gentle flowing of the living creatures found in the seabed, particularly by coral and the variety of porous sponges.
