Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Lise was born in Norway in 1974 and grew up surrounded by nature and the urban environment of Oslo. She trained as a bespoke women’s tailor before embarking on an Art and Design Foundation Course at Bournville, UCE, followed by a BA (Hons) in Fashion and Textile Design at Ravensbourne College, UK.
Her interest in ceramics as an alternative creative outlet started with short courses at Putney School of Art in 2012, where she continued her learning for several years before joining communal studios in London. After nearly 20 years working in fashion, Lise switched to ceramics full-time in 2019 and co-founded a London studio and gallery in 2020.
Craig was born in Glasgow, Scotland. He graduated with a Higher National Diploma in Ceramics at Harrow College, then gained a BA(Hons) Fine Art specialising in Ceramics at Portsmouth Polytechnic. He has taught extensively and became a professional member of the Craft Potters Association in 2005.
John has been making stoneware pottery in the North Lancashire village of Yealand Redmayne for forty years. The firing process requires a temperature of 1320c, and a smoky/reducing atmosphere in the kiln, which results in rich glaze colours and exciting unpredictable effects on the pots. Most of the pots are classically simple functional shapes, thrown on the wheel, but John occasionally alters the freshly thrown pots to produce one of the signature forms for which he is well known.
Chris Keenan has been making pots for almost twenty-five years. Thrown and turned by hand on the wheel using Limoges porcelain, he specialises in pieces for interior spaces – designed for functional use and for decoration.
Rachel studied Ceramics at Cardiff School of Art and Design, graduating in 2000. Inspired by the ever-changing colour and light within the landscape, Rachel combines artistic expression with traditional craft skills and an innovative decorating technique to create abstract compositions on a clay canvas.
As a rebellious schoolgirl, Tina always knew that she would go to art college as she absented herself from her maths lessons to go to exhibitions. In 1974, she commenced her BA in Ceramics at Bristol Polytechnic with a strong 2D portfolio but hardly any experience of working with clay and she found it challenging. Nevertheless, she was drawn to it because it was the only material which was so malleable, human, primal, intimate, flexible, fundamental, and could be adapted to suit all personalities.
