Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jane trained at Camberwell College of Art and at the Royal College of Art and has won several awards for her work including the Wedgwood Scholarship for surface design.
Working across a range of making methods; throwing, jolleying, casting and hand-building, pieces are designed to stand alone or as part of a set. Colour plays a central role in Jane’s work and she is greatly inspired by patterns found in nature and landscape, notably in France the Caribbean and the Isle of Wight.
Richard Phethean is a long established professional potter whose work has been exhibited and collected widely across the UK and Europe. He is a Fellow of, and recently retired as Chair of the Craft Potters Association, a member of the Cornwall Crafts Association and of the Penwith Society of Artists.
Simon’s new porcelain collection are a series he made based on his experience while on a recent residency in Jingdezhen, China and the series mixes modernity with the millennia-old heritage of Chinese porcelain. The work features hand painted brush strokes that capture the energy and artistry of traditional Chinese calligraphy.
There was a time when Sarah’s work referenced landscape more directly.
Landscape is still pivotal for her, but now in a more internal, abstracted and oblique way.
The clay structure is the earthy foundation, the surface marks, colours and textures are
transient moments of weather and light, season and time.
Chris Keenan has been making pots for almost twenty-five years. Thrown and turned by hand on the wheel using Limoges porcelain, he specialises in pieces for interior spaces – designed for functional use and for decoration.
Her work captures her imaginary life and real life, which overlap. She used to pretend to live as a ‘normal’ person in society but wildness took over the thin veneer and it consumed her. Once she started making sculpture, all those layers of pretention fell away. She was finally one whole person.
