Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
The Peak District Pennine landscape and seasons are the backdrop to everything Timothy does. He makes pottery on the border between function and sculpture: in essence vases, bowls, bottles and cups, though these are really just what he calls 'serving suggestions'. His work is multiple-fired, often starting with the wood kiln and ending with lustres.
Sue originally trained as a sculptor at Saint Martin’s School of Art in London gaining a degree in Fine Art (Sculpture). First working in wood and metal, she discovered clay in the late nineties.
A chance encounter with a South African potter led to Sue’s fascination with burnished and smoked African and South American pots. Then in 1997, she attended a transformative course in Greece run by ceramic artist Alan Bain. There she began hand-building pots, working with terra sigillata slips, acquiring burnishing skills, and being introduced to pit firing.
Ikuko Iwamoto is a London-based Japanese artist who uses porcelain to create eccentric table-top pieces and sculpture. Her fundamental inspiration comes from intricate and fragile looking structures, and odd forms found in the microscopic world.
Alastair has a lifetime of experience as an artist/maker, teacher, mentor, and plantsman.
He was taught by Emmanuel Cooper, Walter Keeler, Dan Arbeid, Richard Slee, Mo Jupp, Robert Kesseler, Gillian Lowndes, and Gordon Baldwin, etc. Gillian and Gordon in particular were pivotal in transfoming his thinking and ambition.
The passage of time and change observed in urban and rural landscapes has always been central to the themes Dennis explores in his work. The process of archaeology and its concern with time and layers has also greatly influenced the way in which he expresses his ideas. Architectural fragments, marks on the landscape, multi-layered and over painted surfaces, have all influenced the way he works in clay.
Graham’s interest in ceramics began at York School of Art in the 1960s and continued at Cardiff College of Art, graduating from there in 1971.He later worked at both colleges as a ceramics technician and having retired from Cardiff (now Cardiff Metropolitan University) in 2009, Graham established a workshop in Gloucestershire.
