Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
With a training in art, design, and ceramics culminating in an MA in ceramics, Sarah creates ceramic sculptures. Taking the idea of clay as a metaphor for the body, and the body as vessel, her work explores these concepts through an abstracted study of the physiology and corporeality of the body.
Gaby’s current focus is making saggar-fired, wheel-thrown pots. What originally drew her to this type of making was the interplay between the highly controlled form, and smooth, polished, surface texture of the piece on the one hand; and the ‘seemingly’ random nature of the surface marks created by smoke and metallic, chemical reactions, on the other.
As a child, Emmanuel grew up surrounded by the traditions and perfumes of Sardinia, a land rich in marine life. Her work is influenced by her native culture with its music and folk-costumes of luxuriant materials adorned with precious jewels. She was captivated by the gentle flowing of the living creatures found in the seabed, particularly by coral and the variety of porous sponges.
Rob was born in Doncaster in 1945. He first became interested in pottery and art whilst at school, going on to further education at Leeds College of Art. Robert then studied sculpture at Cardiff College graduating in 1968, before finishing his education with an Art Teacher Training Course at Hornsey College. Rob returned to the pottery he had enjoyed while at school and the decision to become a potter was a flash of inspiration which he has never regretted. Since making this decision in 1970, he has made countless pots, set up workshops and taught ceramics in the UK and France.
Hilary's practice responds to observed details in the landscape with current focus on the geology and topography of the Suffolk coast, a place she has frequented for over 20 years; where the flat land meets big open skies and has a beguiling beauty all of its own. Erosion is a constant theme of this exposed coastline. The elements, battering, wearing, sculpting; imprinting the landscape over time and leaving their mark.
Following a childhood passion for making, David studied wood/metal/ceramics at Manchester Polytechnic. Following an introduction to traditional Japanese architecture, David developed a broader fascination for Japanese craft and aesthetics, which led him to write his dissertation on Raku. Researching the Raku process in turn, led to meeting master Raku maker David Roberts who offered David an opportunity to work with him.
