Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Emily-Kriste Wilcox works from her studio in Birmingham, and has been a professional ceramicist for over 15 years. She was recently awarded 'Best Ceramics and Painting Studio 2020' in the West Midlands category of the UK Enterprise Awards.
Inspired by a Chinese bottle gifted to her as a child, each piece Carolyn makes assumes its own identity with the application of transferred decoration. Collected imagery and text tell stories from lives past and present centring around the human condition and covering themes both significant and trivial.
Matthew Chambers specialises in ceramic sculptures constructed from multiple sections built on the potter’s wheel. Finished with integral colour, unglazed but polished, each piece expresses an abstract beauty through its depth, pattern, and repetition.
Margaret was introduced to clay at Bolton College of Art and studied at Stoke-on-Trent School of Art under ex-Bernard Leach apprentice Derek Emms. It was here that she met her husband-to-be, David Frith. They established their first workshop in the mid sixties and have been based in their 18th Century woollen mill workshop in Denbigh, North Wales since 1976, where they continue after fifty years to teach and create their own work.
Martin describes his work as ‘ Clay – Water – Wood – Fire – Space’. These five elements are synthesised to create a reversed trompe-l’œil type of work, seemingly excavated or revealed, and simultaneously diminishing the third dimension.
Carina trained as an industrial designer in Germany and specialised in furniture design. One day she found herself at a ceramic studio near her house. She had a sudden realisation that there was no difference between making a teapot or a chair because it's all about aesthetics: form, function, balance, and proportion.
Carina had no formal ceramic education and through apprenticeship, short courses, and residencies she has learned and worked with different clays in different parts of the world. She explores the potential and qualities of each clay body, a continuous conversation unfolding between the maker and the material.
