Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Anthony has been making pots for over forty years following a BA at Cardiff University, where he had the opportunity to build a salt kiln and learned to throw. These two things have been central to his making ever since. He returned to Cardiff to complete an MA twenty years ago and focused on rekindling his love of vapour glazing. He switched to soda firing when it was no longer possible to salt glaze at Cardiff.
Loretta began her practice in ceramics via a career in graphic arts, textile design and sculpture. During pregnancy, she found working on sculptural forms too heavy and moved across to ceramics. That was the start of her fascination with the medium as it allows her the freedom to explore her enduring passions of form, colour, texture and mark-making.
Sara Dodd is a Welsh ceramic artist living and working in North London. Training at Cardiff Metropolitan University, Sara graduated in 2013 with a BA(Hons) in Ceramics. Sara is interested in sky and landscapes often referencing the regions of South Wales where she grew up. Sara has recently begun exploring the passage of time in relation to these ideas and locations.
Micki makes wood-fired salt-glazed tableware, fired to a high stoneware temperature. Travelling in India in 1968, Micki came across their ubiquitous everyday earthenware pots. She loved the connection between the earth and the pots and was introduced to throwing on a Leach wheel by Gurcharan Singh of Delhi Blue Potteries.
Björk’s professional background is in Architecture and her work remains unequivocally architectural to her eyes and is influenced by her training and profession in many ways. However, natural forms reflecting her upbringing in Iceland and exposure to the extraordinary in nature are also reference points.
Jenny Southam studied Fine Art in Bristol where she developed her practice in Sculpture, gravitating towards bronze. After several years working as a sculptor and bronze-casting assistant in Gloucestershire she moved to Devon, where she embraced clay as her medium of choice. For thirty years her family, home, garden and studio has formed an integrated whole.
