Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Emma’s ceramics practice is built on notions of what is known as Emotionally Durable design. She uses the making language of ceramics and a design sensibility to make work which is contemporary and relevant over time.
David read philosophy and literature at Warwick University. Realising the lack of jobs as a philosopher, he became a potter and taught part-time in the ceramics department at Wolverhampton University for thirty years. This allowed him the space in which to continue with his personal practice. He was awarded a PhD from Manchester Metropolitan University in 2016. David used the inquiry within his thesis to examine the question of how he could employ the language of materiality, making, and firing (particularly raku) to critically focus on issues of personal identity.
Matthew’s work explores the links between ceramics and geology and place, making pieces entirely from geological samples that he has collected from specific locations around the country, and that illustrate the ceramic qualities inherent in these materials.
Maria's early creative training and work was in graphic design at a time when the industry was changing from drawing boards to computers. As her work became more computer based she realised she missed using her hands and making things, that realisation led to ceramics, initially experimenting in a shed in her garden, but later to an MA in ceramic design at Bath Spa University. Since graduating she has exhibited nationally and internationally and now works from her studio in Frome.
Irena Sibrijns has been a potter for over thirty years. Inspired by an avid interest in 20th century English decorative arts tradition Irena creates exquisite, and entirely unique, ornamental and functional pieces with equal enthusiasm.
Fascinated by process and enhancing a technique associated with mass production, she explores multi-layered slipcasting to create unique objects. These take the form of individual pieces and collections of curated works, which blur the boundaries between the usable and the purely decorative. With a minimal aesthetic, considered forms and refined colour palette, the work is highly tactile and the considered simplicity gradually draws attention to the subtle details.
