Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Sun Kim is a Korean ceramicist born in Saudi Arabia. She received her first BA in Fine Arts in Brazil where she grew up. Following that she continued her studies in ceramics, graduating with a second BA from Alfred University, New York in 2003. In 2004, she moved to the UK to undertake a studio assistantship with Edmund de Waal. In 2007, she set up her own practice in South London where she is currently based.
Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.
In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.
John Jelfs' work has been widely exhibited in leading galleries including the Victoria & Albert Museum, Alpha House in Sherborne, Beaux Arts, Bath, Rufford Ceramics Centre in Nottingham and is also included in many collections in the UK and abroad.
Anna Lambert, a nationally recognised full time maker, makes hand-built earthenware ceramics using various techniques including slab-building, modelling and painted slips. Using a variety of techniques, each of her pieces are entirely unique.
Jim Malone has been making pots for over forty years, gradually establishing an international reputation. Having exhibited widely over many years, both in Britain and abroad, Jim's work is represented in numerous private and public collections, including York Museum and Art Gallery and the Victoria and Albert Museum, London.
Claudia trained as a painter but transferred to pots because she found the turning surface sympathetic to an unfolding visual narrative. Stories are her raw material - both her own and other people's, also fictional stories, songs, and poetry. The human, cultural, and historic associations of pottery connect particularly well to the work she does interpreting women’s histories and contemporary lives. The nature of pots is that they can break, and so can be mended. This she finds to be a compelling metaphor for both trauma and survival - the mending has an optimistic quality.
