Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
All Francis' work is thrown using stoneware clays and is reduction fired, increasingly turning to salt glaze for his desired surface. Functional pots are his main concern, pots made for use in daily life, often giving a nod towards other historical objects, not necessarily made of clay, featuring utilitarian components now ultimately defunct but repurposed as decoration. He uses a muted palette of glazes and seeks a balance between looseness and definition in his forms.
Carina trained as an industrial designer in Germany and specialised in furniture design. One day she found herself at a ceramic studio near her house. She had a sudden realisation that there was no difference between making a teapot or a chair because it's all about aesthetics: form, function, balance, and proportion.
Carina had no formal ceramic education and through apprenticeship, short courses, and residencies she has learned and worked with different clays in different parts of the world. She explores the potential and qualities of each clay body, a continuous conversation unfolding between the maker and the material.
Ben Arnup’s interest in ceramics started at home. With a sculptor and a potter as parents, he grew up learning ceramics skills and technology. Ben has exhibited in Britain, Europe and America, his work is represented in public collections in Britain and Germany.
Verity is a ceramic artist creating works that explore mystery, trigger memories, generate atmosphere and evoke a sense of place. She makes distinct bodies of work, taking inspiration from the landscape, history, and culture surrounding her in rural Herefordshire. Using clay as a medium for drawing and monoprinting, Verity creates sculptural, slab-built, ceramic forms. It is important to Verity that the form and surface of her work create a harmonious composition and are integral to her subject matter.
Being brought up close to the Yorkshire Sculpture Park has been a gift and an education to James from a very young age. The aesthetic of Barbara Hepworth’s work is almost ingrained in him, as though it were the basis of his consciousness of texture, proportion, line and form. After completing a foundation course at Dewsbury Art College, James spent two weeks in the ceramics department working with renowned Raku Ceramist David Roberts. He was immediately drawn to clay as a material. Later, upon graduation from Loughborough and then the Royal College of Art in 2001, James set up a studio in London for several years before returning to his native Yorkshire in 2005.
Simon’s porcelain collection is a series he made based on his experience while on a residency in Jingdezhen, China. The series mixes modernity with the millennia-old heritage of Chinese porcelain. The work features hand painted brush strokes that capture the energy and artistry of traditional Chinese calligraphy.
