Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Birgit Pohl grew up in Germany and porcelain objects in her family home always held a particular fascination. After moving to London, a chance visit to a potter’s studio first opened her eyes to the possibilities of working with porcelain. She learned how to throw on the wheel initially at evening classes and went on to study at Clay College, Stoke-on-Trent.
Collecting and arranging manmade and natural forms provides Claire with great enjoyment and creative impulse for her making. Crucial to her creative process is her discipline of drawing and keeping a continuous sketchbook of ideas and studies. Sculptural forms have emerged through extensive research and exploration of alternative hand-building techniques. Smoky and painterly surfaces envelop her ceramic forms and are integral to the whole.
Irena Sibrijns has been a potter for over thirty years. Inspired by an avid interest in 20th century English decorative arts tradition Irena creates exquisite, and entirely unique, ornamental and functional pieces with equal enthusiasm.
Jenny Southam studied Fine Art in Bristol where she developed her practice in Sculpture, gravitating towards bronze. After several years working as a sculptor and bronze-casting assistant in Gloucestershire she moved to Devon, where she embraced clay as her medium of choice. For thirty years her family, home, garden and studio has formed an integrated whole.
Motoko was born in 1962 in Tokyo. She graduated from Saitama University, and trained at the Takasaki College of Art. From 1993, Motoko spent six years working at the Utatsuama Craft Workshop and the Oshigahara Workshop, and then came to England in 1999.
Jane was born to a family of artists, creatives and potters. Growing up in the Suffolk countryside, her upbringing was unconventional. With little formal education, Jane left school early and entered a life of art, in keeping with family tradition.
