Paul Philp unites refined classic forms with highly tactile surfaces to create pieces of strong individual identity.
Working from his studio in Bath, he slowly develops these robust, pared-back shapes using coiling, modelling, carving and other hand-building techniques. The vessels are fired no less than four times, with layers of slips and oxides introduced at each stage, to yield subtly eroded and spotted surfaces. Recalling ancient artifacts and geological textures, the works evoke a feeling of serenity.
The works on show reveal the maker’s pursuit of modernising the classic vessel form.
We welcome to our online gallery this reputable and influential ceramist, whose work reflects more than 25 years of evolution and artistry.
Throughout his long career Peter has always sought pathways to the development of new ideas. Often this is a slow process, but sometimes a particular event speeds things along.
Partaking of two residencies in China recently, where Peter worked in porcelain at high temperatures, led him to develop a new body of work, made alongside his existing practice to which Peter is still deeply committed.
This new exhibition represents the outcome of Peter’s working practice.
'This exhibition explores objects that express a quiet equilibrium: fragile, shifting forms that exist in a state of delicate imbalance. Their stillness is easily disturbed, as if the act of holding too tightly might cause something essential to disappear. The works reflect an interest in forms that resist perfection, remaining slightly unresolved, unsettled, and quietly alive.' Akiko Hirai