Let it Slip is a joint exhibition featuring the works of Prue Cooper, Hannah McAndrew, and Sean Miller as they celebrate their new slipware.
Slipware refers to the decorating process whereby slip, a liquid mixture of clay, is dripped, splashed, painted, or otherwise applied to leather-hard pre-fired ceramics.
The three ceramicists pay close attention to this visual dimension of their works, with Prue Cooper focusing heavily on the quotations that adorn the edges of her pieces, Hannah McAndrew using her 18 years of experience and practice to embody the floral abundance of her garden in her pots, and Sean Miller developing a range of functional domestic table and kitchen-ware influenced by English medieval and later traditions.
Although brought together by their mutual affinity for slip, each ceramicist explores unique aspects of their making and decorating process.
In this exhibition, Hannah McAndrew explores ways of translating love and recollections of a person into slip. Prue Cooper recalls conversations she had with her brother and utilises quotes and imagery to bring her pieces to life. Sean Miller experiments with variations of marbling and feathering techniques and enjoys observing the subtle differences to the final product once fired depending on where it is placed when it is wood fired.
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The driving force behind all of Paul Jackson’s
highly decorated work is a desire to express
his Cornish surroundings, with their strong
sense of colour and style. Paul uses white
earthenware to form energetic vessels
which are then decorated with colourful
and painterly abstract decorative motifs,
some influenced by Russian or Islamic art.
Richard Phethean makes ceramics
using coarse textured red and black
earthenware clays referencing
ancient pottery as well as European
slipware traditions. Richard utilises
brush and resist techniques to create
cubist‑inspired abstractions that adorn
both his domestic vessels and altered
and assembled forms.
“The origins of [clay] lie in the enduring rock beneath our feet. The processes of firing that a potter uses to complete their work replicate some of the monumental forces which create and erode the matter of the universe.”
“Sometimes I make simple useful things, on other occasions my work is less straightforward, challenging the user to negotiate with an unexpected pot to do an ordinary job.”
Ant & Di Edmonds’ present work has been developed over the past six years. All the pots are coiled by Ant and subsequently pinched, scraped and beaten into shape. The decoration is applied by hand – a full time occupation for Di – between coiling sessions for Ant. The monochromatic designs and abstract patterns are drawn and adapted from many sources including Pueblo Pottery of New Mexico. USA and 1960s Op Art. Each of this couples’ magnificent vessels are dazzling accomplishments embodying the culmination of skill, passion and time.
David Binns’ carved and glazed ceramic forms evolve through an intimate and intuitive engagement with clay, involving both accident and control. Whilst drawing (indirect) inspiration from colours and shapes found in the natural landscape. David’s practice is shaped by a deep respect of the fundamental principles of Japanese aesthetics.
Paul Wearing presents a body of work that showcases the recent developments in his approach to form and surface. Symmetrical Ellipses have evolved and are contrasted with the dynamic Tilt Ellipse.
As the close of another year approaches, we celebrate our wonderful CPA members with a seasonal showcase of their work. From functional to sculptural and everything in between, our annual group exhibition offers a carefully curated selection of work for all tastes and all budgets.