Paul Philp unites refined classic forms with highly tactile surfaces to create pieces of strong individual identity.
Working from his studio in Bath, he slowly develops these robust, pared-back shapes using coiling, modelling, carving and other hand-building techniques. The vessels are fired no less than four times, with layers of slips and oxides introduced at each stage, to yield subtly eroded and spotted surfaces. Recalling ancient artifacts and geological textures, the works evoke a feeling of serenity.
The works on show reveal the maker’s pursuit of modernising the classic vessel form.
We welcome to our online gallery this reputable and influential ceramist, whose work reflects more than 25 years of evolution and artistry.
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Adam Frew works in porcelain, creating thrown functional and large one-off pots. He revels in the spontaneity of throwing, the speed of production, seeking to reflect this energy in his distinctive mark making. These marks are continually evolving, but are always energetic and confident.
Adam works in contrasts: of lines or washes, glazed and unglazed, blues and oranges or reds and more recently, applied ridges. “A sense of energy has always been central to my work. Working with the clay in a way that is fluid and quick, and doesn’t require much reshaping.”
Charles Bound ‘s work is unconsciously influenced by significant periods of time spent in the USA, Africa, and the UK. Loose and elemental, it reflects the rugged landscape of Wales, particularly of the farm environment where he lives and works today.
Akiko Hirai makes largely functional ware using the Japanese tradition of allowing the clay itself to show the way in which it wants to be fired. She tries not to control her materials but to let them and the unpredictable environment of the kiln dictate much of the resulting shape and colour of her work.