Martin has always been fascinated by the Japanese idea of ‘beauty in imperfection’ and he takes huge pleasure in exploring the simple vessel and everything that it represents. In his most recent work, Martin takes a nuanced approach to the simple clay forms of jars and bowls as he reflects on what a major cultural change it must have been when we began to store and share food in those simple forms. Other new work grows in geological like layers, sometimes with quartz and precious stone or glass-looking inclusions – overlaid as if by running lava.
“What I am looking for in my work… lies in the essential beauty of individual pieces, which is subjective, difficult to define, control or repeat and has something to do with chance and coincidence.”
PRODUCT CODE:MM200Y385
PRODUCT CODE:MM200Y386
PRODUCT CODE:MM200Y387
PRODUCT CODE:MM200Y391
PRODUCT CODE:MM200Y419
PRODUCT CODE:MM200Y388
PRODUCT CODE:MM200Y389
PRODUCT CODE:MM200Y392
PRODUCT CODE:MM200Y393
PRODUCT CODE:MM200Y394
PRODUCT CODE:MM200Y395
PRODUCT CODE:MM200Y396
PRODUCT CODE:MM200Y397
PRODUCT CODE:MM200Y398
PRODUCT CODE:MM200Y399
PRODUCT CODE:MM200Y400
PRODUCT CODE:MM200Y401
PRODUCT CODE:MM200Y403
PRODUCT CODE:MM200Y405
PRODUCT CODE:MM200Y406
PRODUCT CODE:MM200Y407
PRODUCT CODE:MM200Y408
PRODUCT CODE:MM200Y410
PRODUCT CODE:MM200Y411
PRODUCT CODE:MM200Y412
PRODUCT CODE:MM200Y413
PRODUCT CODE:MM200Y414
PRODUCT CODE:MM200Y415
PRODUCT CODE:MM200Y425
PRODUCT CODE:MM200Y429
PRODUCT CODE:MM200Y430
PRODUCT CODE:MM200Y434
PRODUCT CODE:MM200Y435
PRODUCT CODE:MM200Y436
PRODUCT CODE:MM200Y437
PRODUCT CODE:MM200Y438
PRODUCT CODE:MM200Y439
PRODUCT CODE:MM200Y416
PRODUCT CODE:MM200Y417
PRODUCT CODE:MM200Y418
PRODUCT CODE:MM200Y420
PRODUCT CODE:MM200Y421
PRODUCT CODE:MM200Y422
PRODUCT CODE:MM200Y423
PRODUCT CODE:MM200Y424
PRODUCT CODE:MM200Y390
PRODUCT CODE:MM200Y402
PRODUCT CODE:MM200Y409
PRODUCT CODE:MM200Y426
PRODUCT CODE:MM200Y427
PRODUCT CODE:MM200Y428
PRODUCT CODE:MM200Y431
PRODUCT CODE:MM200Y432
PRODUCT CODE:MM200Y433
For this new exhibition, Jane Perryman will be showing a group of hemispherical double walled bowls mixed with different organic and man-made materials collected randomly, each a metaphor for memory and words.
Using combinations of press moulding, coiling and slabbing processes before burnishing the surface, her pieces are then low fired and then refined with sandpaper followed by a higher temperature firing.
Peter Beard’s work has been exhibited around the world and is represented in numerous museums, public collections and private collections in the UK and overseas. The award winning artist has a contemplative approach to making and spends much of his time sketching out ideas for new pieces.
