Sandy Brown has been making ceramics now for over 50 years and is internationally recognised. After being introduced to ceramics in Japan, Sandy learned there that pots can be dynamic, exciting and free, as well as irregular.
Sandy makes a wide range of ceramics from mugs to large sculptures and architecture, having even made a full-sized building, ‘Temple’. Some of her ceramics are vehicles for painting, for example her dinner plates and platters. The way Sandy works, intuitively and instinctively, means that pieces are entirely unique. Using sgraffito, coloured glazes and oxides, applied with various sizes of brushes and slip trailers, decoration is inspired from nothing else other than the language itself. The painting of each piece leads into the next piece, with no plans or pre-conceived ideas.
“That is so easy once I get going. It is playing, and because I feel so happy when I am feeling free that comes across in the work. The work is joyful, celebratory.” – Sandy Brown
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Adam Frew works in porcelain, creating thrown functional and large one-off pots. He revels in the spontaneity of throwing, the speed of production, seeking to reflect this energy in his distinctive mark making. These marks are continually evolving, but are always energetic and confident.
Adam works in contrasts: of lines or washes, glazed and unglazed, blues and oranges or reds and more recently, applied ridges. “A sense of energy has always been central to my work. Working with the clay in a way that is fluid and quick, and doesn’t require much reshaping.”
Charles Bound ‘s work is unconsciously influenced by significant periods of time spent in the USA, Africa, and the UK. Loose and elemental, it reflects the rugged landscape of Wales, particularly of the farm environment where he lives and works today.
Akiko Hirai makes largely functional ware using the Japanese tradition of allowing the clay itself to show the way in which it wants to be fired. She tries not to control her materials but to let them and the unpredictable environment of the kiln dictate much of the resulting shape and colour of her work.