Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
The functional wheel-thrown pots that Carl creates are modest but highly
considered and precisely made, sometimes altered when wet, often with
spontaneous, energetic surface marks. Everything is conceived in the
knowledge that his work will be wood-fired.
Julian first made a coil pot at school in 1968 and was immediately hooked - and very well supported by teacher David Buchanan to pursue his passion in exploring what could be made by hand-building with clay. Other than what he was empowered to discover at school, he had no formal training.
Elly graduated from the Royal College of Art in 2004. Since then, she has exhibited in numerous galleries and craft fairs. She produces work from her garden studio in Hertford.
Elly’s work is hand-built using slabs of clay with multiple slips, textural marks and impressions applied during the making process. Glaze is also applied and sometimes rubbed back, then the pieces are high fired.
Before Tony established his own studio in 1988, he studied ceramics and then worked in the ceramic industry in Stoke on Trent (including as a designer for Coalport China, part of Wedgwood). His background in the industry gave him a broad appreciation of ceramics and techniques. He is interested in the art ware produced by Royal Doulton in the late 19th and early 20th centuries, but also fascinated by the work of French potters such as Clement Massier.
Clive Bowen was born in Cardiff in 1943. Initially studying painting and etching at Cardiff College of Art from 1960 to 1964, Clive went on to train as an apprentice with Michael Leach at the Yelland Pottery in North Devon from 1965 until 1969. He worked alongside Michael Cardew at Wenford Bridge before setting up his own pottery in 1971 when he bought a small agricultural property at Shebbear, near Holsworthy in North Devon and set up a workshop in the former farm outhouses.
Ian’s work is a contemporary interpretation of country pottery. His salt glazed domestic ware focuses on line, surface and balance. He likes to emphasise tactility and evidence of the maker’s hand, highlighting the subtle marks and fingerprints from handling and attachments. This, combined with clean lines make his work approachable and usable, while giving the work extra durability that comes from the firing process.
