Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Since graduating from the celebrated Harrow Ceramics course in 1994, Daniel Smith has worked from the same London studio he helped establish. This continuity is reflected in his work with a commitment to exploring a family of useful forms - plates, bowls, cups, jugs, vases.
Jin Eui Kim is an internationally renowned ceramic artist. Originally from South Korea, he now lives and works in Cardiff, UK.
Whilst at Cardiff School of Art & Design, Jin Eui studied the illusory effects of the application of tonal bands to three-dimensional surfaces. He graduated with an MA and PhD in Ceramics.
Susan was born and grew up in Cork, Ireland. In 1991 she received a Certificate with Merit from the Grennan Mill Craft School in Co. Kilkenny. From there she moved to Scotland and the Edinburgh College of Art, graduating in 1999 with a First Class Honours Degree in Design and Applied Arts and a Post Graduate Diploma in Ceramics in 2000. Susan exhibits widely in solo and group exhibitions in the UK, Ireland and abroad.
Prue is a member of the Art Workers’ Guild, where she was Master in 2014. Her work sells widely, in the UK, USA and Japan, and she has been given numerous solo shows. Prue makes press-moulded earthenware dishes, decorated with quotations and images illustrating the ways of the world – witty, friendly or subversive.
As a rebellious schoolgirl, Tina always knew that she would go to art college as she absented herself from her maths lessons to go to exhibitions. In 1974, she commenced her BA in Ceramics at Bristol Polytechnic with a strong 2D portfolio but hardly any experience of working with clay and she found it challenging. Nevertheless, she was drawn to it because it was the only material which was so malleable, human, primal, intimate, flexible, fundamental, and could be adapted to suit all personalities.
Mandy Cheng’s focus is on porcelain and to make pots that are unique ergonomic forms. Her works are designed to be graceful and minimalist, to conjure a feeling of lightness and a sense of movement.
The signature mesmerizing patterns mimic the vivid diversity of nature. Using the nerikomi method, the patterns are meticulously prepared by repeated cutting and layering of plain and coloured porcelain sheets.
