Championing the very best independent ceramic makers for over 60 years

Sue Paraskeva

Sue’s multidisciplinary conceptual practice comprises stand-alone pieces, installation, film and tableware, collectively defined by a distinct language.  Current work is rooted in traditional techniques, thrown forms made on the wheel, firing in real flame kilns and using natural wood ash deposits and the reduction flame to add unpredictable embellishment.

Bruce Chivers

“Chivers is an artist potter whose work shines with a flowing lyricism in which decoration is intrinsically linked to form but is equally linked to natural random processes of image formation of the kind favoured by the American Abstract Expressionists and the European ‘matter’ painters.” Peter Davies.

Martin McWilliam

Martin describes his work as ‘ Clay – Water – Wood –  Fire – Space’. These five elements are synthesised to create a reversed trompe-l’œil type of work, seemingly excavated or revealed, and simultaneously diminishing the third dimension.

Adam Frew

Adam Frew creates functional porcelain pieces and large one-off pots. His pieces are clean, traditional, forms thrown on the potters wheel that subtly show the makers hand and create a sense of life from the craftmanship of his work.

Duncan Ayscough

Duncan’s fascination with clay began as a child in his parents’ garden. The colour, smell and malleability of the earth led him to discover at school the transformation of clay by heat into a permanent object. As a teenager, Duncan was captivated by seeing his teacher throwing a pot on a kick-wheel, his bedroom posters were images of communist revolutionary heroes and 20th-century studio pottery.

Sarah Jenkins

There was a time when Sarah’s work referenced landscape more directly.

Landscape is still pivotal for her, but now in a more internal, abstracted and oblique way.
The clay structure is the earthy foundation, the surface marks, colours and textures are
transient moments of weather and light, season and time.