Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Ali Tomlin creates wheel thrown porcelain. Focusing on the smooth, white surface the quality of porcelain for making clean, elegant shapes creates a canvas for her careful decoration, adding colours and marks she creates her well known range of contemporary ceramics.
John comes from a family of engineers going back several generations, so it was natural for him to follow suit. However, he made an unenthusiastic engineer, and after several years teaching he went back to college and gained a place on the 3D course at Manchester College of Art where he was introduced to clay for the first time.
Porcelain, with its fine texture, purity and whiteness, allows Peter to explore relationships between form and surface in a way that is more rewarding than with any other clay. Wheel-thrown vessel forms offer infinite opportunities for subtle variations, but his particular concern, while attempting to achieve harmony and balance in the work, is to express his feelings for the natural world through the positive radiation of light and colour.
Geoffrey Swindell was born in Stoke-on-Trent. First studying painting, it wasn’t until he took up a summer job at the Pottery at Alton Towers that he decided to follow in the footsteps of his ancestor and become a potter.
Anna is known for her finely wheel-thrown porcelain vases and bowls and her meticulous attention to detail. Having trained at Camberwell School of Art and the Royal College of Art, she spent time teaching in the US before returning to London. She established her ceramics workshop almost 30 years ago, which is now based in South London at her home in Sydenham.
Claire creates decorative smoke-fired pots. She chooses to use porcelain due to its strong resistance to wild temperature changes during the smoke-firing process. Her pots are not functional nor suitable for holding water due to the porous quality of the unglazed burnished clay which is necessary for smoke-firing.
