Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Ant first encountered pottery in primary school. His teacher, Mr Wright introduced him to clay and planted the beginnings of a lifelong passion. He started out as a science teacher but gave up teaching in his late twenties after years of evening classes and moved to Lincolnshire to set up his own pottery workshop.
Paul Philp has been making ceramics for over fifty years. Uniting refined classic forms with highly tactile surfaces to create pieces of strong individual identity Paul builds each piece by hand.
With both of her parents being artists, Kerry’s childhood was surrounded by paintings, sculpture, and architecture. They had a potter friend and spent quiet hours in her studio. She went on to gain a BA Hons Ceramics at University of Westminster.
Kerry is inspired by the making process itself, using clay as a way of exploring her relationship to the world as a maker. She seeks creative strategies analogous to those found in nature such as growth, metamorphosis, and fragmentation.
Jennifer Hall graduated from Cardiff Institute of Higher Education back in 1994, followed by work as a thrower and decorator for Gwili Pottery, Carmarthen. Jennifer set up her first pottery in 1997 in Buckinghamshire, later in 2001 she moved to Llanwrthwl, Powys to establish her successful studio.
Jill Fanshawe Kato’s enduring fascination with the natural world stems from her upbringing in the Devonshire countryside and her subsequent travels. Besides many shows in the UK, Jill has had 46 exhibitions of her ceramics in Japan including 11 solo shows at Keio Department Store Gallery, Shinjuku, Tokyo.
Alistair studied ceramics at Bath Academy of Art and set up his first pottery studio in Gloucestershire in 1978, producing thrown reduction fired stoneware for a range of companies. While continuing with his own making he later took on the running of the studio ceramics department at The Royal Forest of Dean College and instigating a series of potters conferences.
