Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Sara Dodd is a Welsh ceramic artist living and working in North London. Training at Cardiff Metropolitan University, Sara graduated in 2013 with a BA(Hons) in Ceramics. Sara is interested in sky and landscapes often referencing the regions of South Wales where she grew up. Sara has recently begun exploring the passage of time in relation to these ideas and locations.
Tessa trained in Ceramics at Goldsmiths College, London 1981-84. On leaving college she developed a method of sawdust firing for surfaces that were high fired and internally glazed making it possible for them to hold water. Her vessel ranges are both hand-built and slip-cast, sculptural in form but always functional.
David was born in South London and trained in Graphics and 3D design. After working in art education for many years, specialising in ceramics, he took early retirement to concentrate on his own work and established his own workshop in the Forest of Dean where he now produces a range of hand-built ceramics.
Marina was born in Toulon in the South of France and spent part of her childhood in the rich coastal plains of Gabon, before moving to Alsace near the Vosges mountains and then to England. Her immersion in different landscapes and cultures fostered a sense of curiosity towards the transience of existence, which continues to inform her creative practice. She studied sculpture at Falmouth School of Art and later did a two-year
City and Guilds in ceramics in Nottingham.
Kirsty graduated from the Fine Art: Painting and Printmaking course at Glasgow School of Art in 2009. She subsequently attended life sculpture classes which led her to working with clay.
Inspired by day-to-day experiences, local landscape and wildlife, Kirsty’s ceramics are an exploration of gesture, form, colour, and place.
In his youth Peter collected (mainly damaged) Chinese Kangxi and 18th Century European porcelain, regularly visiting Portobello and Bermondsey Market at 6am. His making came later, but is influenced by the pieces he bought, studied, and has loved over the years. These pots have of course been themselves influenced by earlier ceramic, silver, and pewter forms.
