Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
“Chivers is an artist potter whose work shines with a flowing lyricism in which decoration is intrinsically linked to form but is equally linked to natural random processes of image formation of the kind favoured by the American Abstract Expressionists and the European ‘matter’ painters.” Peter Davies.
James and Tilla Waters create their pieces from a studio in Mid-Wales. Carefully considering where hands hold pieces and edges meet mouths, their forms have classic clean lines with beautifully balanced proportions.
Terry was born in Abergele in North Wales and is a graduate of the seminal Harrow Ceramics course, where he was taught by Victor Margie and Mick Casson. He worked with Denise and Rosemary Wren in Surrey before returning to North Wales in 1978 where he set up a studio with his wife Bev Bell-Hughes in Llandudno Junction.
His work is primarily in thrown, high-fired domestic pots, reflecting influences from both Oriental and British country ware.
After a career in retail, Barry discovered the joy of working with clay through evening classes, and soon realised he wanted to explore further and learn as much as possible. He then gained a place on the ceramics course at the University of Westminster, Harrow.
Emily mostly works with a red stoneware clay that fires to a rich dark brown, with iron speckles showing through the glaze. She occasionally works with porcelain as the white body is ground for wonderful bright glazes. Most of the glazes contain barium and copper, a combination which give rise to interesting matt green glazes in an electric kiln.
Adam uses a single pure jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place.
