Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Hannah creates both monoprints and ceramic work. There is a theme of interwoven methods throughout; each approach blending into the next, her unique creations embrace their strikingly different techniques. With purposeful brush strokes, stamps, pencil marks and carvings she creates fluid visual landscapes on the textures of canvas and smooth ceramic surfaces.
Following a childhood passion for making, David studied wood/metal/ceramics at Manchester Polytechnic. Following an introduction to traditional Japanese architecture, David developed a broader fascination for Japanese craft and aesthetics, which led him to write his dissertation on Raku. Researching the Raku process in turn, led to meeting master Raku maker David Roberts who offered David an opportunity to work with him.
Alasdair Neil's ideas focus on the strange beauty found in the decaying architecture of industrial wastelands. He has built up a large collection of clay and plaster moulds that he has made from the surfaces of found fragments of discarded waste. It is these textures, patterns, shapes and colours that form the thread that runs throughout his entire range of unique hand built forms
Martin Pearce creates abstract sculptural pieces inspired by natural forms. His work often portrays a state of flux, with the quality of moving water or cloud forms, while other pieces appear as if they could be in quiet contemplation.
Sara Dodd is a Welsh ceramic artist living and working in North London. Training at Cardiff Metropolitan University, Sara graduated in 2013 with a BA(Hons) in Ceramics. Sara is interested in sky and landscapes often referencing the regions of South Wales where she grew up. Sara has recently begun exploring the passage of time in relation to these ideas and locations.
Since leaving Camberwell College of Art in 1988, Justine has been primarily working with hand-built porcelain. Her work addresses the boundaries between function and decoration. Form is paramount to her, function is a driving motivation, but it is the aesthetics of a piece that are key to her making.
