Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Barbara Gittings’ smoke fired, nerikomi porcelain vessels are quiet, contemplative and sensual, as she wants anyone looking at the work to want to touch it and be drawn in.
Hyejeong Kim’s work is rooted in the history of Chinese, Korean and Japanese ceramics yet influenced by modern ceramics of the United Kingdom.
Since graduating from the celebrated Harrow Ceramics course in 1994, Daniel Smith has worked from the same London studio he helped establish. This continuity is reflected in his work with a commitment to exploring a family of useful forms - plates, bowls, cups, jugs, vases.
Ben’s work is mainly hand-built, wheel-thrown and altered using stoneware, porcelain, and high fired earthenware clays. Forms seek to utilise and respond to the malleability of the material with work being altered and assembled while still wet.
The majority of his work relies exclusively on the interaction between ash, clay and fire achieved through extended wood firings in an anagama type kiln. However, recent pieces are exploring the potentials of using earthenware clays to bring out the character and attitude in the work.
Julian first made a coil pot at school in 1968 and was immediately hooked - and very well supported by teacher David Buchanan to pursue his passion in exploring what could be made by hand-building with clay. Other than what he was empowered to discover at school, he had no formal training.
Peter Smith was once a research chemist before turning his hand to ceramics and starting a pottery in Cornwall. He aims to combine the feel of traditional earthenware with contemporary ideas. The basic form is often thrown on the wheel in a heavily grogged brown clay.
