Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Stephen Parry

Stephen Parry first trained at Croydon College of Art between 1974 - 1977, then moving on to Dartington Workshop until 1979 before discovering a passion for wood-fired ceramics in France.

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Kerry Hastings

With both of her parents being artists, Kerry’s childhood was surrounded by paintings, sculpture, and architecture. They had a potter friend and spent quiet hours in her studio. She went on to gain a BA Hons Ceramics at University of Westminster.

Kerry is inspired by the making process itself, using clay as a way of exploring her relationship to the world as a maker.  She seeks creative strategies analogous to those found in nature such as growth, metamorphosis, and fragmentation.

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Peter Beard

Peter Beard’s work has been exhibited around the world and is represented in numerous museums, public collections and private collections in the UK and overseas. The award winning artist has a contemplative approach to making and spends much of his time sketching out ideas for new pieces.

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Midori Takaki

Her work captures her imaginary life and real life, which overlap.  She used to pretend to live as a ‘normal’ person in society but wildness took over the thin veneer and it consumed her. Once she started making sculpture, all those layers of pretention fell away. She was finally one whole person.

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Penny Fowler

Penny Fowler is a London based potter whose work reflects 21st century living in the capital. Using porcelain and bone china clays, her work is characterised by clean, precise lines and forms using a strong palette.

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Penny Simpson

From an early age Penny enjoyed playing with clay at home as her mother had a small pottery studio. However, it was not until she lived in Japan in her twenties that she became more seriously interested in making pots.

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