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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Craig Underhill

Craig was born in Glasgow, Scotland. He graduated with a Higher National Diploma in Ceramics at Harrow College, then gained a BA(Hons) Fine Art specialising in Ceramics at Portsmouth Polytechnic. He has taught extensively and became a professional member of the Craft Potters Association in 2005.

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Dan Kelly

Dan Kelly trained at Camberwell School of Arts and Crafts where Colin Pearson was an initial influence, encouraging him to develop his throwing technique. His stoneware pots are defined by the way he manipulates them - cutting and reshaping by hand.

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Martin Pearce

Martin Pearce creates abstract sculptural pieces inspired by natural forms. His work often portrays a state of flux, with the quality of moving water or cloud forms, while other pieces appear as if they could be in quiet contemplation.

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Ben Arnup

Ben Arnup’s interest in ceramics started at home. With a sculptor and a potter as parents, he grew up learning ceramics skills and technology. Ben has exhibited in Britain, Europe and America, his work is represented in public collections in Britain and Germany.

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John Jelfs

John Jelfs' work has been widely exhibited in leading galleries including the Victoria & Albert Museum, Alpha House in Sherborne, Beaux Arts, Bath, Rufford Ceramics Centre in Nottingham and is also included in many collections in the UK and abroad.

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Robyn Hardyman

Robyn creates finely thrown vessels in porcelain, for both decoration and use. She is inspired by the combination of delicacy and strength in porcelain. She creates pieces whose pared-back forms evoke a sense of balance and harmony, whether in a bowl wide open to the skies or a moon jar in its spherical containment. Surface decoration is minimal - an incised line around a narrow foot, or a slip decoration to add a dynamic to the stillness of a moon jar.

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