Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Matthew’s work explores the links between ceramics and geology and place, making pieces entirely from geological samples that he has collected from specific locations around the country, and that illustrate the ceramic qualities inherent in these materials.
Valerie studied fashion and textiles at Brighton and Bristol art colleges. Valerie’s art is about a combination of brushstroke and knowledge of colour acquired through a lifetime of painting. Ken learned to pot with potters in Bristol and London and has had a long association with potters throughout the country in his work for the craft ceramic materials industry and kiln manufacturing.
Terry was born in Abergele in North Wales and is a graduate of the seminal Harrow Ceramics course, where he was taught by Victor Margie and Mick Casson. He worked with Denise and Rosemary Wren in Surrey before returning to North Wales in 1978 where he set up a studio with his wife Bev Bell-Hughes in Llandudno Junction.
His work is primarily in thrown, high-fired domestic pots, reflecting influences from both Oriental and British country ware.
Jo specialises in wheel-thrown porcelain and works from her studio in Hackney, East London. Her practice includes hand-making a fine porcelain design range, lighting and unique objects. Her individual approach to wheel-thrown ceramics, where high-fired porcelain often appears paradoxically to be fresh off the wheel, balances softness with rigidity, smoothness with weight and tactility.
Peter Smith was once a research chemist before turning his hand to ceramics and starting a pottery in Cornwall. He aims to combine the feel of traditional earthenware with contemporary ideas. The basic form is often thrown on the wheel in a heavily grogged brown clay.
John left art school in 1970 and dug trenches for gas pipes for a living. Later, through his college friend’s brother (who was a potter) John worked for David Frith in North Wales. He found the discipline hard, but it has stood him in good stead ever since.
