Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Sean's love of slipware first began whilst attending the studio pottery course at Harrow College of Art in the late 1980s. Now 30 years and three workshops later he is still making slipware. Since 2007, after moving from London, Sean has been working in an old converted stone barn in Southern Brittany, France.
Josefina is a Colombian born ceramicist living and working in London. She gained a BFA in crafts from The University of the Arts, Philadelphia, under the guidance of world-renowned potter, James Makins.
Katharina was experimenting with clay as soon as she could reach the pedals on her mother's wheel. Since setting up her business in Cambridge in 2016, Katharina's work has received many accolades, including receiving the Silver Award (Ceramics) in the Craft&Design Selected Maker Awards.
Fascinated by process and enhancing a technique associated with mass production, she explores multi-layered slipcasting to create unique objects. These take the form of individual pieces and collections of curated works, which blur the boundaries between the usable and the purely decorative. With a minimal aesthetic, considered forms and refined colour palette, the work is highly tactile and the considered simplicity gradually draws attention to the subtle details.
“I aim to blur the dividing lines between art and craft. I use clay or porcelain as my canvas, creating illustrated plates for installations or vessels as sculptural displays. The themes include zoom meetings, refugees, masks, musicians, people at rest, funny faces, at the café, at the beach, at the Met, and conversations across time.” – Gail Altschuler.
Claudia trained as a painter but transferred to pots because she found the turning surface sympathetic to an unfolding visual narrative. Stories are her raw material - both her own and other people's, also fictional stories, songs, and poetry. The human, cultural, and historic associations of pottery connect particularly well to the work she does interpreting women’s histories and contemporary lives. The nature of pots is that they can break, and so can be mended. This she finds to be a compelling metaphor for both trauma and survival - the mending has an optimistic quality.
