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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Helen Beard

Helen Beard is a potter and illustrator and a people watcher at heart. She studied at the Edinburgh College of Art. After graduating, Helen was an apprentice with Edmund de Waal in London. She set up her own studio in 2004 in the London borough of Islington where she makes, draws, designs and sometimes teaches.

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Rhian Malin

Inspired by her grandmother’s Willow Pattern collection, Rhian Malin continues the long historic tradition of hand-painting porcelain with cobalt-blue decoration. Her elegant wheel-thrown porcelain vessels are the chosen surface, created to stretch this tradition into the 21st Century.

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Matt Horne

Matt Horne began his career in ceramics with training at Aylesford Pottery in Kent, where he developed his technical skills in production throwing, before going on to set up his own workshop near Folkestone in 2008.

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Graham Williamson

Graham’s interest in ceramics began at York School of Art in the 1960s and continued at Cardiff College of Art, graduating from there in 1971.He later worked at both colleges as a ceramics technician and having retired from Cardiff (now Cardiff Metropolitan University) in 2009, Graham established a workshop in Gloucestershire.

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John Higgins

John Higgins has a degree in 3D Design / Ceramics from the College of Art Wolverhampton, and a Post Graduate Certificate in Art Education, from Sussex University. Throughout his career in education, he has continued to make his own ceramics. He has exhibited widely both in the UK and internationally.

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Jemma Gowland

Jemma’s work explores the way that girls are generally constrained from birth to conform to an appearance and code of behaviour, to present a perfect face and maintain the expectations of others. The use of porcelain or stoneware with layered disrupted surfaces, describe the vulnerability beneath.  

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