Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jane was born to a family of artists, creatives and potters. Growing up in the Suffolk countryside, her upbringing was unconventional. With little formal education, Jane left school early and entered a life of art, in keeping with family tradition.
Geoffrey Swindell was born in Stoke-on-Trent. First studying painting, it wasn’t until he took up a summer job at the Pottery at Alton Towers that he decided to follow in the footsteps of his ancestor and become a potter.
Ruth's pots are built using sheets of soft clay, her dedication to the art and process of making, from construction to firing, has given rise to very particular work. Within this particularity lies a thought -provoking tension. While the pots are structured with great intention and tailored to contain space, their formal concerns are softened by an underlying sensuousness, best experienced by the all -important sense of touch. The vapours that caress each piece in the kiln create an inextricable link between the form and the smooth, rich and complex tones that articulate and enhance the pots' surfaces.
Karen throws carefully considered porcelain pots for everyday use. Her forms are elegant yet robust: these are pots to be held, filled, drunk out of and eaten from. The purposeful use of one material (porcelain), a single creamy white glaze, a deliberately restricted vocabulary of form and the process of repetition throwing combine to create both unity and diversity in her work.
Helen Beard is a potter and illustrator and a people watcher at heart. She studied at the Edinburgh College of Art. After graduating, Helen was an apprentice with Edmund de Waal in London. She set up her own studio in 2004 in the London borough of Islington where she makes, draws, designs and sometimes teaches.
All bowls Sara Moorhouse makes are thrown on a wheel using white stoneware clay or porcelain. The banded bowls are then turned and bisque fired before being returned to the wheel and hand painted with underglaze colour. The Colourblock series are turned and then the lines drawn on using a laser level, which are then taped and hand painted. The white porcelain bowls are handed carved either on or off the wheel, depending on the arrangement.
