Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Lara Scobie is an Edinburgh based ceramic artist specialising in individual slip-cast vessels and bowls made in porcelain and parian clay. Focusing on the dynamic between form and pattern her work explores the cohesive integration of drawing, surface, mark making and volume.
John discovered ceramics while still at school in his native New Zealand. He was also inspired by watching a neighbour throwing a pot on the wheel and that cemented the desire to learn more. After attending night classes to learn the basic, he built a kiln and shed in the back garden to continue making and experimenting.
Doug works in red earthenware clay, the pots simply decorated, with appliqué decoration or sgraffito, using a basic palette of traditional slips that are made from natural raw materials. The majority of his pots are thrown on the wheel with some press moulded dishes, decorated with freely trailed lines.
Duncan’s fascination with clay began as a child in his parents’ garden. The colour, smell and malleability of the earth led him to discover at school the transformation of clay by heat into a permanent object. As a teenager, Duncan was captivated by seeing his teacher throwing a pot on a kick-wheel, his bedroom posters were images of communist revolutionary heroes and 20th-century studio pottery.
Fascinated by process and enhancing a technique associated with mass production, she explores multi-layered slipcasting to create unique objects. These take the form of individual pieces and collections of curated works, which blur the boundaries between the usable and the purely decorative. With a minimal aesthetic, considered forms and refined colour palette, the work is highly tactile and the considered simplicity gradually draws attention to the subtle details.
Sean's love of slipware first began whilst attending the studio pottery course at Harrow College of Art in the late 1980s. Now 30 years and three workshops later he is still making slipware. Since 2007, after moving from London, Sean has been working in an old converted stone barn in Southern Brittany, France.
