Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
John completed a degree in ceramics at Harrow University in 2001 where he became intrigued by wood-fired ceramics and kiln building. He has since built several wood-fired kilns and has been exploring the unique colours, surfaces and effects which can only be achieved with this process.
Birgit Pohl grew up in Germany and porcelain objects in her family home always held a particular fascination. After moving to London, a chance visit to a potter’s studio first opened her eyes to the possibilities of working with porcelain. She learned how to throw on the wheel initially at evening classes and went on to study at Clay College, Stoke-on-Trent.
Katharina was experimenting with clay as soon as she could reach the pedals on her mother's wheel. Since setting up her business in Cambridge in 2016, Katharina's work has received many accolades, including receiving the Silver Award (Ceramics) in the Craft&Design Selected Maker Awards.
David had no artistic or ceramic history in his family, nor did he formally study ceramics. He discovered ceramics by accident as an element in his teaching degree whilst at Bretton Hall in the late 1960s. Similarly, his work in raku was appropriately the result of a serendipitous encounter with an American raku potter in the mid-1970s. David states that due to persistence, natural talent and support from colleagues, friends, and family, especially his wife Jan, over the past 40 years he has established himself as a leading international practitioner in raku ceramics.
Rachel Grimshaw’s sculptural ceramics are about the clay itself. Focusing on its pliable, immediate, qualities, Rachel likens her pieces to photographs capturing a ‘frozen moment’ in time, her pieces are fixed in a forever gesture once fired.
Before Tony established his own studio in 1988, he studied ceramics and then worked in the ceramic industry in Stoke on Trent (including as a designer for Coalport China, part of Wedgwood). His background in the industry gave him a broad appreciation of ceramics and techniques. He is interested in the art ware produced by Royal Doulton in the late 19th and early 20th centuries, but also fascinated by the work of French potters such as Clement Massier.
