Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Dan Kelly trained at Camberwell School of Arts and Crafts where Colin Pearson was an initial influence, encouraging him to develop his throwing technique. His stoneware pots are defined by the way he manipulates them - cutting and reshaping by hand.
Simon’s new porcelain collection are a series he made based on his experience while on a recent residency in Jingdezhen, China and the series mixes modernity with the millennia-old heritage of Chinese porcelain. The work features hand painted brush strokes that capture the energy and artistry of traditional Chinese calligraphy.
After a long and varied career in design and printing, Judy changed direction and followed her passion for ceramics. At the age of sixty she enrolled for a 3D Craft and Design BA at a local college and graduated with a 1st Class (Hons). Judy went on to gain an MA at the Royal College of Art, specialising in Nerikomi and Kintsugi.
All bowls Sara Moorhouse makes are thrown on a wheel using white stoneware clay or porcelain. The banded bowls are then turned and bisque fired before being returned to the wheel and hand painted with underglaze colour. The Colourblock series are turned and then the lines drawn on using a laser level, which are then taped and hand painted. The white porcelain bowls are handed carved either on or off the wheel, depending on the arrangement.
Inspired by a Chinese bottle gifted to her as a child, each piece Carolyn makes assumes its own identity with the application of transferred decoration. Collected imagery and text tell stories from lives past and present centring around the human condition and covering themes both significant and trivial.
Yusun is drawn by the vessel form. She found a way to explore vessel forms while observing a bottle from the Korean Joseon Dynasty which was constructed by joining two different forms. Looking at the attached part of the bottle, she imagined opening the enclosed part and seeing what was hidden inside.
