Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Her work captures her imaginary life and real life, which overlap. She used to pretend to live as a ‘normal’ person in society but wildness took over the thin veneer and it consumed her. Once she started making sculpture, all those layers of pretention fell away. She was finally one whole person.
Lisa Hammond MBE is a soda firing potter who works at Maze Hill Pottery, Greenwich, London. She has been making pots for best part of 40 years in which time she has taught extensively and pioneered soda glaze and shino firings.
Chris was born in 1959. His introduction to clay began at adult education classes in Islington. He went on to study Sculpture at St. Martins School of Art, London and graduated in 1982. Chris has moved around the country over the last decades. He helped set up the Chocolate Factory studios in Hackney, London in 1995. In 2006, he moved to Argyll, Scotland to set up another pottery. By 2009, Chris relocated to Cumbria setting up a new pottery in a converted farm building.
All bowls Sara Moorhouse makes are thrown on a wheel using white stoneware clay or porcelain. The banded bowls are then turned and bisque fired before being returned to the wheel and hand painted with underglaze colour. The Colourblock series are turned and then the lines drawn on using a laser level, which are then taped and hand painted. The white porcelain bowls are handed carved either on or off the wheel, depending on the arrangement.
Ikuko Iwamoto is a London-based Japanese artist who uses porcelain to create eccentric table-top pieces and sculpture. Her fundamental inspiration comes from intricate and fragile looking structures, and odd forms found in the microscopic world.
Robyn creates finely thrown vessels in porcelain, for both decoration and use. She is inspired by the combination of delicacy and strength in porcelain. She creates pieces whose pared-back forms evoke a sense of balance and harmony, whether in a bowl wide open to the skies or a moon jar in its spherical containment. Surface decoration is minimal - an incised line around a narrow foot, or a slip decoration to add a dynamic to the stillness of a moon jar.
