Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Jonathan graduated from Farnham Art School in 1974 and worked for Joe Finch at Appin Pottery in Scotland. He began making once fired domestic ware in a pale stoneware body, guided and inspired by Bernard Leach’s ‘A Potters Book’. He went on to work in porcelain and to decorate with a brush.
In 1999, Jonathan moved to East Sussex where he built a smaller kiln in a more spacious workshop. He began to experiment seriously with reduction fired lustre which had fascinated him ever since he attended a course given by the late Marjorie Clinton two years previously.
Maria's early creative training and work was in graphic design at a time when the industry was changing from drawing boards to computers. As her work became more computer based she realised she missed using her hands and making things, that realisation led to ceramics, initially experimenting in a shed in her garden, but later to an MA in ceramic design at Bath Spa University. Since graduating she has exhibited nationally and internationally and now works from her studio in Frome.
Lara Scobie is an Edinburgh based ceramic artist specialising in individual slip-cast vessels and bowls made in porcelain and parian clay. Focusing on the dynamic between form and pattern her work explores the cohesive integration of drawing, surface, mark making and volume.
Priscilla was born in Cape Town, South Africa and attended the School of Art in Durban before setting up her own ceramic studio in England in 1968. She spent a decade in England before moving to Denmark where she has lived and worked since.
Priscilla makes porcelain pinch pots with graphic surface etchings revealed in underglaze. Her monochrome pots are often wood-fired.
Adam uses a single pure jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place.
