Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
John discovered ceramics while still at school in his native New Zealand. He was also inspired by watching a neighbour throwing a pot on the wheel and that cemented the desire to learn more. After attending night classes to learn the basic, he built a kiln and shed in the back garden to continue making and experimenting.
David had no artistic or ceramic history in his family, nor did he formally study ceramics. He discovered ceramics by accident as an element in his teaching degree whilst at Bretton Hall in the late 1960s. Similarly, his work in raku was appropriately the result of a serendipitous encounter with an American raku potter in the mid-1970s. David states that due to persistence, natural talent and support from colleagues, friends, and family, especially his wife Jan, over the past 40 years he has established himself as a leading international practitioner in raku ceramics.
Sabine completed an apprenticeship as a thrower in 1998 with Hans Joachim Grünert in Waldenburg (Sachsen) in East Germany, followed by a three-year training as a production thrower where she was introduced to wood firing. She became enthralled by the high demands of wood-firing. In 2000, she came to England to gain more experience and met fellow potter, Nic Collins who became her partner. In 2001, she moved to Devon.
While still at school Sotis displayed a talent for art and developed a keen interest in three-dimensional art in particular. He later enrolled in a four-year degree course at the Athens School of Ceramics. After his degree he came to the UK
Since leaving Camberwell College of Art in 1988, Justine has been primarily working with hand-built porcelain. Her work addresses the boundaries between function and decoration. Form is paramount to her, function is a driving motivation, but it is the aesthetics of a piece that are key to her making.
Marcus produces expressive functional stoneware and porcelain rooted in the Leach Hamada tradition. He is also greatly inspired by the Irish landscape.
