Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Yusun is drawn by the vessel form. She found a way to explore vessel forms while observing a bottle from the Korean Joseon Dynasty which was constructed by joining two different forms. Looking at the attached part of the bottle, she imagined opening the enclosed part and seeing what was hidden inside.
The careful traditions of English slipware are unseated and then thoroughly reworked through the ceramics of Dylan Bowen who has taken this English inheritance and very definitely made it his own.
“I aim to blur the dividing lines between art and craft. I use clay or porcelain as my canvas, creating illustrated plates for installations or vessels as sculptural displays. The themes include zoom meetings, refugees, masks, musicians, people at rest, funny faces, at the café, at the beach, at the Met, and conversations across time.” – Gail Altschuler.
Elly graduated from the Royal College of Art in 2004. Since then, she has exhibited in numerous galleries and craft fairs. She produces work from her garden studio in Hertford.
Elly’s work is hand-built using slabs of clay with multiple slips, textural marks and impressions applied during the making process. Glaze is also applied and sometimes rubbed back, then the pieces are high fired.
Emily-Kriste Wilcox works from her studio in Birmingham, and has been a professional ceramicist for over 15 years. She was recently awarded 'Best Ceramics and Painting Studio 2020' in the West Midlands category of the UK Enterprise Awards.
Hiro was born in Fukushima, Japan. Due to her father’s work commitments, Hiro had a peripatetic childhood. The constants in her life were her grandmother and being close to nature. However, she was dismayed later on to find that the traditional old buildings from her childhood walks with her grandmother had been knocked down. Driven by sadness and nostalgia at the loss of her childhood environment/world in Japan, Hiro creates a link between the present and the past from her memories and imagination.
