Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Matt Horne began his career in ceramics with training at Aylesford Pottery in Kent, where he developed his technical skills in production throwing, before going on to set up his own workshop near Folkestone in 2008.
“Chivers is an artist potter whose work shines with a flowing lyricism in which decoration is intrinsically linked to form but is equally linked to natural random processes of image formation of the kind favoured by the American Abstract Expressionists and the European ‘matter’ painters.” Peter Davies.
Robyn creates finely thrown vessels in porcelain, for both decoration and use. She is inspired by the combination of delicacy and strength in porcelain. She creates pieces whose pared-back forms evoke a sense of balance and harmony, whether in a bowl wide open to the skies or a moon jar in its spherical containment. Surface decoration is minimal - an incised line around a narrow foot, or a slip decoration to add a dynamic to the stillness of a moon jar.
Landscape is pivotal to Sarah’s work, expressed in an oblique way. A distillation of her responses to the transient moments of mud and weather, sun, season and the clay in her hand. Like the changing weather, her approach constantly shifts as she explores shapes, colours, textures and markings.
Sasha Wardell has been working in bone china since 1982. Her formal training in ceramics included both undergraduate and postgraduate degrees and industrial training secondments to L’Ecole Nationale des Arts Decoratifs, Limoges, France, and the Royal Doulton design studio, Stoke on Trent, UK.
An industrial approach to the traditional bone china manufacturing process has strongly influenced the way in which Sasha presently works, reflecting her fascination for methods and materials which present a challenge. It is for this reason that bone china, with all its idiosyncrasies, has remained her favourite material.
Duncan’s fascination with clay began as a child in his parents’ garden. The colour, smell and malleability of the earth led him to discover at school the transformation of clay by heat into a permanent object. As a teenager, Duncan was captivated by seeing his teacher throwing a pot on a kick-wheel, his bedroom posters were images of communist revolutionary heroes and 20th-century studio pottery.
