Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Kate creates sculptural vessels which explore the transformational nature of time on human experience. Her practice involves a continuous investigation of structure and surface, with particular emphasis on ceramic materials, fragmentation and transfiguration. Kate’s making process consists of the tearing, breaking and joining of clay to create organic forms with undulating edges, fault lines and fissures.
Priscilla was born in Cape Town, South Africa and attended the School of Art in Durban before setting up her own ceramic studio in England in 1968. She spent a decade in England before moving to Denmark where she has lived and worked since.
Priscilla makes porcelain pinch pots with graphic surface etchings revealed in underglaze. Her monochrome pots are often wood-fired.
“Chivers is an artist potter whose work shines with a flowing lyricism in which decoration is intrinsically linked to form but is equally linked to natural random processes of image formation of the kind favoured by the American Abstract Expressionists and the European ‘matter’ painters.” Peter Davies.
Margaret was introduced to clay at Bolton College of Art and studied at Stoke-on-Trent School of Art under ex-Bernard Leach apprentice Derek Emms. It was here that she met her husband-to-be, David Frith. They established their first workshop in the mid sixties and have been based in their 18th Century woollen mill workshop in Denbigh, North Wales since 1976, where they continue after fifty years to teach and create their own work.
Barbara Gittings’ smoke fired, nerikomi porcelain vessels are quiet, contemplative and sensual, as she wants anyone looking at the work to want to touch it and be drawn in.
Fiona’s focus is mainly on hand built ceramic vessels, with multiple layered surfaces. They combine traditional and contemporary processes. Pieces are first usually coiled or slab built, then painted and printed with coloured slips.
