Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Adam Buick

Adam uses a single pure jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place.

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Tricia Thom

Tricia graduated from Gray’s School of Art, Aberdeen in 1985 and after a post graduate year, she worked for a production pottery in the Highlands for three years.  While there, she became a principal hand-decorator of pots and developed some surface designs for the range, but also received a grounding knowledge of the ceramics industry and practices. 

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Eric Moss

Eric creates individual, nest-able sculpture and desktop/wall-mounted tessellated ‘waveforms’ in various scales, bodies and finishes. Often multi-part and at varied scales, each unique sculpture can stand alone or combine with others in manifold display opportunities. Inspiration, from the natural and industrial worlds, has evolved the work into simple geometries which reveal subtle complexities on closer examination.

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Sophie MacCarthy

Sophie MacCarthy has always been drawn to random scatterings of leaves on the ground. Scatter and flow, rhythm and movement are consistent themes in the decoration of her earthenware pieces, along with a bold and joyous approach to colour.

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Suleyman Saba

Suleyman Saba makes tableware and individual stoneware pots. The forms he makes and the glazes he uses bring together traditional techniques with modern sensibilities.

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Tessa Wolfe-Murray

Tessa trained in Ceramics at Goldsmiths College, London 1981-84. On leaving college she developed a method of sawdust firing for surfaces that were high fired and internally glazed making it possible for them to hold water. Her vessel ranges are both hand-built and slip-cast, sculptural in form but always functional.

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