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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Matthew Chambers

Matthew Chambers specialises in ceramic sculptures constructed from multiple sections built on the potter’s wheel. Finished with integral colour, unglazed but polished, each piece expresses an abstract beauty through its depth, pattern, and repetition.

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Sotis Filippides

While still at school Sotis displayed a talent for art and developed a keen interest in three-dimensional art in particular. He later enrolled in a four-year degree course at the Athens School of Ceramics. After his degree he came to the UK

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Sarah Went

Sarah makes functional pieces for the home. She has multiple influences including English Delftware and East Asian celadon ware. Her work is also inspired by coastal landscapes, plants, paint colours and fabrics. Soft natural colours are a strong characteristic of Sarah’s work.

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Lea Phillips

Lea Phillips makes a wide range high fired stoneware pottery, mostly functional plus some larger one-off pieces. All the ceramics are wheel-thrown, fired in an electric kiln and decorated with free abstract designs using vibrant colourful glazes made to her own recipes. A firm believer that oxidised firing is no barrier to interesting surfaces Lea enjoys glaze development and the challenge of combining form, colour, and pattern.

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Doug Fitch

Doug works in red earthenware clay, the pots simply decorated, with appliqué decoration or sgraffito, using a basic palette of traditional slips that are made from natural raw materials. The majority of his pots are thrown on the wheel with some press moulded dishes, decorated with freely trailed lines.

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Adam Buick

Adam uses a single pure jar form as a canvas to map his observations from an ongoing study of his surroundings. He incorporates stone and locally dug clay into his work to create a narrative, one that conveys a unique sense of place.

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