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Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

James and Tilla Waters

James and Tilla Waters create their pieces from a studio in Mid-Wales. Carefully considering where hands hold pieces and edges meet mouths, their forms have classic clean lines with beautifully balanced proportions.

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Duncan Ross

Duncan Ross makes thrown and burnished vessels using many layers of fine terra-sigillata slip with resist and inlay decoration. His work is represented in many public and private collections around the world, notably the V & A and Fitzwilliam Museums in the UK, the American Museum of Ceramic Art in Pomona, California and the Mint Museum in Charlotte, North Carolina, US.

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Philip Wood

Philip Wood has been making pots for over 40 years. Specialising in earthernware, he creates handmade pieces to enhance the lives of those around them.

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Jo Davies

Jo specialises in wheel-thrown porcelain and works from her studio in Hackney, East London. Her practice includes hand-making a fine porcelain design range, lighting and unique objects. Her individual approach to wheel-thrown ceramics, where high-fired porcelain often appears paradoxically to be fresh off the wheel, balances softness with rigidity, smoothness with weight and tactility.

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Clare Conrad

Clare Conrad's work is an exploration of colour and texture, inspired by the effects of light and ageing on architecture, artefacts and landscape. Her technique of layering vitreous slip onto wheel-thrown vessels, vases and bowls creates a rugged texture.

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Tricia Thom

Tricia graduated from Gray’s School of Art, Aberdeen in 1985 and after a post graduate year, she worked for a production pottery in the Highlands for three years.  While there, she became a principal hand-decorator of pots and developed some surface designs for the range, but also received a grounding knowledge of the ceramics industry and practices. 

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