Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Fascinated by process and enhancing a technique associated with mass production, she explores multi-layered slipcasting to create unique objects. These take the form of individual pieces and collections of curated works, which blur the boundaries between the usable and the purely decorative. With a minimal aesthetic, considered forms and refined colour palette, the work is highly tactile and the considered simplicity gradually draws attention to the subtle details.
Jeremy trained in Falmouth, Cornwall and then in Cardiff before being invited to join Wobage Workshop in rural Herefordshire in 1995. From here, he makes wheel-thrown, wood-fired salt-glazed stoneware and porcelain. He and his wife Petra, also a potter and printmaker, live on the edge of the Forest of Dean. They were invited to join the Wobage studios as part-time apprentices to Mick and Sheila Casson, a role they maintained until Mick’s death in 2003.
Inspired by a Chinese bottle gifted to her as a child, each piece Carolyn makes assumes its own identity with the application of transferred decoration. Collected imagery and text tell stories from lives past and present centring around the human condition and covering themes both significant and trivial.
Terry was born in Abergele in North Wales and is a graduate of the seminal Harrow Ceramics course, where he was taught by Victor Margie and Mick Casson. He worked with Denise and Rosemary Wren in Surrey before returning to North Wales in 1978 where he set up a studio with his wife Bev Bell-Hughes in Llandudno Junction.
His work is primarily in thrown, high-fired domestic pots, reflecting influences from both Oriental and British country ware.
Since leaving Camberwell College of Art in 1988, Justine has been primarily working with hand-built porcelain. Her work addresses the boundaries between function and decoration. Form is paramount to her, function is a driving motivation, but it is the aesthetics of a piece that are key to her making.
Anthony has been making pots for over forty years following a BA at Cardiff University, where he had the opportunity to build a salt kiln and learned to throw. These two things have been central to his making ever since. He returned to Cardiff to complete an MA twenty years ago and focused on rekindling his love of vapour glazing. He switched to soda firing when it was no longer possible to salt glaze at Cardiff.
