Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
His work is influenced by landscape settings, especially the wild rugged beauty of Connemara and Donegal, and the dramatic West Wales coastline. He incorporates geological elements, natural colours, as well as the marks of human activity on the landscape into his vessels. He is interested in addressing the relationship we have with the landscape.
Paul Philp has been making ceramics for over fifty years. Uniting refined classic forms with highly tactile surfaces to create pieces of strong individual identity Paul builds each piece by hand.
Angela has been working in ceramics for over 50 years. Her first experience of clay was at after school class, leading to a Foundation Arts Course in Derby, then a BA in Wolverhampton, and an MA at Royal College of Art London. The latter two degree courses were very open-ended and encouraged exploration of other materials and a wide variety of working methods. This suited Angela as she has always been interested in both industrial production processes and sculptural techniques.
As a child, Jon loved drawing and messing about with mud. He and his brother and friends spent many joyful years roaming and exploring on the waste ground of empty housing plots. The exposed seams of soft yellow clay they discovered was perfect for making ‘weapons’ - squashed balls of clay on the ends of sticks. Although childhood has long passed, the activity has informed and inspired his approach to ceramic practice and his educational/community engagement work.
Being brought up close to the Yorkshire Sculpture Park has been a gift and an education to James from a very young age. The aesthetic of Barbara Hepworth’s work is almost ingrained in him, as though it were the basis of his consciousness of texture, proportion, line and form. After completing a foundation course at Dewsbury Art College, James spent two weeks in the ceramics department working with renowned Raku Ceramist David Roberts. He was immediately drawn to clay as a material. Later, upon graduation from Loughborough and then the Royal College of Art in 2001, James set up a studio in London for several years before returning to his native Yorkshire in 2005.
Stephen’s first pots were made at Soham Grammar School in the late 1960s-early 70s where his art teacher and early mentor, Peter Askem helped and encouraged his to move onto the Foundation Course in Art and Design at Cambridge College of Arts and Technology.
He then progressed onto the BA Hons course in 3D Design (Ceramics) at West Surrey College of Art and Design, Farnham. The tutors and visiting lecturers at Farnham included Sebastian Blackie and Mo Jupp. Stephen found the ‘Farnham experience’ to be life changing.
