Championing the very best independent ceramic makers for over 60 years

Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.

 

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Meet Our Makers

All of our makers are members of the Craft Potters Association and each of them have a story to tell.

Dennis Farrell

The passage of time and change observed in urban and rural landscapes has always been central to the themes Dennis explores in his work. The process of archaeology and its concern with time and layers has also greatly influenced the way in which he expresses his ideas. Architectural fragments, marks on the landscape, multi-layered and over painted surfaces, have all influenced the way he works in clay.

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Rhian Malin

Inspired by her grandmother’s Willow Pattern collection, Rhian Malin continues the long historic tradition of hand-painting porcelain with cobalt-blue decoration. Her elegant wheel-thrown porcelain vessels are the chosen surface, created to stretch this tradition into the 21st Century.

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Sarah Monk

Sarah studied at Bath Spa University where she graduated with a BA(Hons) in Ceramics. She met fellow potter Jon Williams there, they married and set up their studio in 1994 at Eastnor Pottery, near Ledbury, Herefordshire. She collaborates with her husband to offer pottery experiences from Eastnor Pottery & The Flying Potter.

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Daphne Carnegy

Daphne Carnegy makes a range of thrown, and sometimes hand-built, painted tin-glazed earthenware which combine an awareness of historical precedents with her passion for plants.

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Anja Lubach

Anja Lubach grew up in Germany and graduated from the Royal college in 2000. She spent a month on Residency at the German manufacturer Rosenthal where she was free to explore porcelain as creative medium.

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Jane Perryman

For this new exhibition, Jane will be showing a group of hemispherical double walled bowls mixed with different organic and man-made materials collected randomly, each a metaphor for memory and words. Using combinations of press moulding, coiling and slabbing processes before burnishing the surface, her pieces are then low fired and then refined with sandpaper followed by a higher temperature firing. 

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