Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Before Tony established his own studio in 1988, he studied ceramics and then worked in the ceramic industry in Stoke on Trent (including as a designer for Coalport China, part of Wedgwood). His background in the industry gave him a broad appreciation of ceramics and techniques. He is interested in the art ware produced by Royal Doulton in the late 19th and early 20th centuries, but also fascinated by the work of French potters such as Clement Massier.
Hilary's practice responds to observed details in the landscape with current focus on the geology and topography of the Suffolk coast, a place she has frequented for over 20 years; where the flat land meets big open skies and has a beguiling beauty all of its own. Erosion is a constant theme of this exposed coastline. The elements, battering, wearing, sculpting; imprinting the landscape over time and leaving their mark.
Jeremy trained in Falmouth, Cornwall and then in Cardiff before being invited to join Wobage Workshop in rural Herefordshire in 1995. From here, he makes wheel-thrown, wood-fired salt-glazed stoneware and porcelain. He and his wife Petra, also a potter and printmaker, live on the edge of the Forest of Dean. They were invited to join the Wobage studios as part-time apprentices to Mick and Sheila Casson, a role they maintained until Mick’s death in 2003.
Sara Dodd is a Welsh ceramic artist living and working in North London. Training at Cardiff Metropolitan University, Sara graduated in 2013 with a BA(Hons) in Ceramics. Sara is interested in sky and landscapes often referencing the regions of South Wales where she grew up. Sara has recently begun exploring the passage of time in relation to these ideas and locations.
Hyejeong Kim’s work is rooted in the history of Chinese, Korean and Japanese ceramics yet influenced by modern ceramics of the United Kingdom.
Inspired by her grandmother’s Willow Pattern collection, Rhian Malin continues the long historic tradition of hand-painting porcelain with cobalt-blue decoration. Her elegant wheel-thrown porcelain vessels are the chosen surface, created to stretch this tradition into the 21st Century.
