Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
In 2014, Jack and his late wife and fellow ceramicist built a 3D ceramic printer, there being no such printers available at the time. Together they began making 3D printed ceramics. Within six years, Jack re-thought his design ideas, formulated a workable clay mix, and developed his skill. His designs combine hand-drawn elements with mathematical curves and semi-random 'noise'. He is interested in nature's growth processes which often build up layer by layer like a 3D print. Random variations were introduced by using algorithms that were developed for animated films to give the appearance of flames, hair or vegetation.
Informing and framing his ceramic practice are a range of sources including the processes of walking the coast, swimming along its shore, gathering objects, materials and studying its intertidal ecology and geology. Images, motifs and gestural marks brushed or drawn into the surface of both his functional pots and the sculptural vessels can be seen as direct traces of his phenomenological experience.
Walter Keeler is a British studio potter specialising in salt glaze pottery. Named 'Welsh Artist of the Year' in 2007, Walter's work is held in public collections including Victoria & Albert Museum, American Craft Museum, New York, and the Museum of Modern Art, Tokyo.
With her figures Sally creates personalities that share a sense of warmth and calm. Drawing from early memories of family gatherings spilling across summer lawns; the quiet intimacy of a confidence shared between sisters; expressions of visual anecdotes carefully collected and stored to later emerge as a figure. The everyday moments of human interaction being elevated from the ordinary into something special.
Mandy Cheng’s focus is on porcelain and to make pots that are unique ergonomic forms. Her works are designed to be graceful and minimalist, to conjure a feeling of lightness and a sense of movement.
The signature mesmerizing patterns mimic the vivid diversity of nature. Using the nerikomi method, the patterns are meticulously prepared by repeated cutting and layering of plain and coloured porcelain sheets.
Gaby’s current focus is making saggar-fired, wheel-thrown pots. What originally drew her to this type of making was the interplay between the highly controlled form, and smooth, polished, surface texture of the piece on the one hand; and the ‘seemingly’ random nature of the surface marks created by smoke and metallic, chemical reactions, on the other.
