Contemporary Ceramics gallery and shop exhibits the greatest collectable names in British ceramics along with the most up and coming artists of today. Our distinguished makers are all carefully selected members of the Craft Potters Association.
All of our makers are members of the Craft Potters Association and each of them have a story to tell.
Emily mostly works with a red stoneware clay that fires to a rich dark brown, with iron speckles showing through the glaze. She occasionally works with porcelain as the white body is ground for wonderful bright glazes. Most of the glazes contain barium and copper, a combination which give rise to interesting matt green glazes in an electric kiln.
Chloë is based in Co. Wicklow, Ireland. After studying Fine Art Ceramics (BA Hons.), achieving a Higher Diploma in Art Education, and completing her MA in History of Art and Architecture at the University of Limerick, Chloë moved to Thomastown, Co. Kilkenny to complete the Design and Crafts Council’s two-year pottery skills training course.
Mandy Cheng’s focus is on porcelain and to make pots that are unique ergonomic forms. Her works are designed to be graceful and minimalist, to conjure a feeling of lightness and a sense of movement.
The signature mesmerizing patterns mimic the vivid diversity of nature. Using the nerikomi method, the patterns are meticulously prepared by repeated cutting and layering of plain and coloured porcelain sheets.
Motoko was born in 1962 in Tokyo. She graduated from Saitama University, and trained at the Takasaki College of Art. From 1993, Motoko spent six years working at the Utatsuama Craft Workshop and the Oshigahara Workshop, and then came to England in 1999.
Sarah has been a potter for 45 years and also makes work in oak, lead and cast iron. She trained in painting at Chelsea School of Art between 1960-64 after which, she spent five years working as a nurse. This period was followed by studying at Harrow where she graduated in 1973 with a Diploma in Studio Pottery. Sarah undertook apprenticeships with David Leach and Zelda Mowat.
In 2014, Jack and his late wife and fellow ceramicist built a 3D ceramic printer, there being no such printers available at the time. Together they began making 3D printed ceramics. Within six years, Jack re-thought his design ideas, formulated a workable clay mix, and developed his skill. His designs combine hand-drawn elements with mathematical curves and semi-random 'noise'. He is interested in nature's growth processes which often build up layer by layer like a 3D print. Random variations were introduced by using algorithms that were developed for animated films to give the appearance of flames, hair or vegetation.
